mmcirvin: (Default)
[personal profile] mmcirvin
Via Gary Farber: It's the OED's online project for collecting citations of science-fiction-related words. It's clever that they're taking pains to distinguish words used in science fiction, words used in science-fiction criticism, and words used in fandom. You know, I never thought of "completist" as anything other than a general English word, which either indicates how steeped I am in this subculture (but I don't even go to cons!) or how mainstream it has become.

The historical graph of new citations is fascinating. The generation of new words for the genre itself peaked in the 1940s, as you'd probably have guessed; but the great decade for new fandom-words was the 1950s, and criticism exploded in the 1980s and '90s! I wonder if this last, somewhat surprising fact was the result of (a) the cyberpunks, (b) newfound respect for SF in the wider culture resulting from the post-Star Wars media SF explosion, (c) the burgeoning academic industry in critical theory in general, or all three. With a bigger data set it would be interesting to break down the years more finely.

Another thought: It also appears that many of these critical citations are from a small number of sources, particularly various writings of John Clute and Gardner Dozois. That might have a distorting effect on the statistics.

Date: 2004-05-05 07:12 pm (UTC)
From: (Anonymous)
Why I don't like LJ?: I'm not "anoymous," I'm the guy you're citing. And I can't even say so, officially.

"....(b) newfound respect for SF in the wider culture resulting from the post-Star Wars media SF explosion...."

I think that there are aspects of all three in the right answer, but the above is rather off. I don't think the explosion of media sf particularly caused the explosion of academic attention. I think it came about more as the outgrowth of the academic seeds planted in the Sixties and early Seventies, and mostly as the outgrowth of the generational flowering in the late Seventies and Eighties of the folks who had grown up taking sf seriously, intellectually, in the baby boom.

I can't speak well to the ins and outs of the academic scene, but I did know many of the early sf academics, and they certainly didn't get into it because of the success of Star Wars or Trek or Tolkien, but because of their own formative interests in their own childhoods.

Non-anonymous-guy,
Gary Farber

Date: 2004-05-06 05:10 am (UTC)
From: [identity profile] mmcirvin.livejournal.com
It may sound like a silly solution, but it's free and very easy to get an account (http://www.cinescape.com/0/Editorial.asp?aff_id=0&obj_id=20701&this_cat=Movies) (it doesn't require an invite any more) and many people without journals actually do this just for the "friends list" aggregator mechanism. You could think of it as signing on to the comment-authentication system, which does help with the comment-spam and such.

That said, the current situation is somewhat unsatisfactory, and I'm glad to hear that the people who run LJ are thinking about addressing it somehow. It might be enough to have a level of free service that isn't called "getting a LiveJournal" so that it doesn't feel so much like viral marketing (though viral marketing it may well be).

Date: 2004-05-06 05:57 am (UTC)
From: [identity profile] mmcirvin.livejournal.com
About SF criticism, you're probably right about that. The prolific critics in recent decades haven't, for the most part, been Johnny-come-latelies from outside the subculture, but people with a long and abiding interest.

On the other hand, media SF has resulted in a lot of mainstream-media discussion of basic science-fiction concepts, some of it sort of clueless when seen from inside the scene (e.g. the ahistoricism of a lot of the post-Matrix discussion of brain-in-a-jar scenarios).

Crit citations

Date: 2004-05-06 03:35 am (UTC)
From: [identity profile] tomscud.livejournal.com
It might also be due to the fact that so many more books were published after (give or take) The Sword of Shanarra showed that Big Fat Fantasy was a do-able field that it became necessary to distinguish between different flavors of SF/Fantasy, because it was no longer possible even to attempt to read everything published in the field any more.

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