Another good one was The City and the Stars by Arthur C. Clarke. In this one it's the stilted, lecture-filled prose style that seems dated, much more than the ideas, some of which are startlingly ahead of their time. I suspect that The City and the Stars provided part inspiration for the goofy movie Zardoz as well as much of the "transhuman" philosophical SF of the 1990s.
The City and the Stars takes place something like a billion years in the future. Humans once roamed the galaxy freely, but then retreated to Earth, driven back by a mysterious menace. Gradually they abandoned most of Earth itself, and confined themselves to a couple of closed, stiflingly static societies with indistinguishable-from-magic ultra-tech: the city of Diaspar, inhabited by endlessly reincarnated immortals who are resynthesized as young adults out of the city's digital memory bank; and the rustic country of Lys, whose citizens are your basic psychic supermen disguised as bumpkins (think Organians). History has been rewritten and memories wiped; nobody knows the truth any more about what happened back at the dawn of history when things were allowed to change.
You know approximately what has to happen with this kind of set-up. One day, for inscrutable reasons of its own, the central computer of Diaspar barfs up a wholly new being named Alvin who seems destined to be a revolutionary explorer (I'd guess that this inspired the Orphan in Greg Egan's Diaspora): he lacks the physically ingrained fear that keeps most people from leaving Diaspar. Eventually he discovers Lys, unites the remaining people of Earth, and even goes on a wild space adventure to the old center of galactic civilization, where he meets an early draft of the Star Child from 2001.
This is a great read if you don't expect thrilling prose or nuanced characterization; it's a highly imaginative story in the grand hypercosmic Stapeldonian tradition, with much of that strange melancholy that pervades all of Clarke's writing, and it was pretty influential. I've heard that The City and the Stars was actually a reworking of an earlier Clarke novella called "Against the Fall of Night," but I haven't read that.
The City and the Stars takes place something like a billion years in the future. Humans once roamed the galaxy freely, but then retreated to Earth, driven back by a mysterious menace. Gradually they abandoned most of Earth itself, and confined themselves to a couple of closed, stiflingly static societies with indistinguishable-from-magic ultra-tech: the city of Diaspar, inhabited by endlessly reincarnated immortals who are resynthesized as young adults out of the city's digital memory bank; and the rustic country of Lys, whose citizens are your basic psychic supermen disguised as bumpkins (think Organians). History has been rewritten and memories wiped; nobody knows the truth any more about what happened back at the dawn of history when things were allowed to change.
You know approximately what has to happen with this kind of set-up. One day, for inscrutable reasons of its own, the central computer of Diaspar barfs up a wholly new being named Alvin who seems destined to be a revolutionary explorer (I'd guess that this inspired the Orphan in Greg Egan's Diaspora): he lacks the physically ingrained fear that keeps most people from leaving Diaspar. Eventually he discovers Lys, unites the remaining people of Earth, and even goes on a wild space adventure to the old center of galactic civilization, where he meets an early draft of the Star Child from 2001.
This is a great read if you don't expect thrilling prose or nuanced characterization; it's a highly imaginative story in the grand hypercosmic Stapeldonian tradition, with much of that strange melancholy that pervades all of Clarke's writing, and it was pretty influential. I've heard that The City and the Stars was actually a reworking of an earlier Clarke novella called "Against the Fall of Night," but I haven't read that.
no subject
Date: 2003-08-18 12:26 am (UTC)no subject
Date: 2003-08-18 04:51 am (UTC)no subject
Date: 2003-08-18 12:51 pm (UTC)His last really solid novel, I think, was "2010", which was much better than the Hyams movie. After that he started collaborating with people like Gentry Lee, and the stuff he wrote on his own got pretty thin.
no subject
Date: 2003-08-18 10:21 pm (UTC)It's a riff on the "universal time/space viewer that destroys privacy and reveals history" theme, like T. L. Sherred's "E for Effort" or Isaac Asimov's "The Dead Past." My favorite bit is the part about how popular historians are shocked to learn that Abraham Lincoln was not gay.
Songs of Distant Earth
Date: 2003-08-19 04:55 am (UTC)http://www.kuro5hin.org/user/localroger/stories
"Passages in the Void" is the first, and "Passage Home" is the second. It's about sentient ships who have been sent out into space to grow, from scratch, the human species. Because of the way humanity reached its end in the Earth system, the machines have an institutional dislike of star-systems, so they try to find alternatives.
Williams also wrote the novella "The Metamorphosis of Prime Intellect,"
http://www.kuro5hin.org/prime-intellect/
which involves characters stuck in a utopia generated by an Asimovian computer. Contains the obligatory "Why?" *sparks fly, tape reels explode* scene, but it was pleasant reading. The "Passage" stories are better, IMO, though.